Sculpture as Writing
Inventory of Absences
A.I. Artificial Intelligence
With an educational training in youth of reading and writing classical score music, I began exploring sound in 2020 through computer-generated audio, digital sound engineering (DAW), and live field recordings. Since then, I have used sound as an environmental layer within several exhibitions.
Psychotropic Sculpture (2016), is a piece for a performance at Tokyo Wonder Site, Japan. It was conceived specifically for the residency building’s floor plan. The piece grew out of an imaginative interpretation of the site, developed by studying its architectural drawings. It was created on the invitation of curator Isabel de Sena, who was in Tokyo for a research trip on the japanese group Gutai.
Other sound-works are inspired by large urban structures such as New York City and Berlin.
Psychotropic Sculpture 2016
Performance in Tokyo Wonder Site, Japan.
https://soundcloud.com/user-538461993/psychotropic-sculpture
Title: Opus 13 Berlin (2020)
The sound is based on destorted field recording from the streets of Berlin.
https://soundcloud.com/user-538461993/opus-13
Title: Opus 5 Berlin ( 2020)
The sound is based on destorted field recording from the subway system of Berlin.
https://soundcloud.com/user-538461993/opus-5
Title: Opus 12 NYC ( 2020)
The sound is based on destorted field recording from the streets of NYC.
https://soundcloud.com/user-538461993/opus-12
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